Romantic music materiales e instrumentos: a history of musical style in nineteenth-century Europe
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| Formato: | Libro |
| Lenguaje: | inglés |
| Colección: | Norton introduction to music history
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Tabla de Contenidos:
- Historical background
- Music, patronage, and the public
- The composer's training
- Musical aesthetics
- Historicism in music ; "Romantic"
- Beethoven in Vienna, 1792-1808. Early stylistic growth: piano sonatas
- The String Quartet op. 18, no. 6
- The Tempest Sonata, op. 31, no. 2
- The Eroica Symphony
- Fidelio
- Beethoven: the late years, 1809-27. Formation of the late style
- The Diabelli Variations
- The Missa solemnis and the Ninth Symphony
- The late quartets
- Contemporary assessment
- Beethoven's contemporaries: instrumental music. Schubert
- Music for piano: Clementi, Dusík, and Field
- Czerny, Moscheles, Hummel
- Schubert's piano music
- The Lied: Schubert and his predecessors. The Berlin school
- Southern Germany and Vienna
- Schubert
- The rise of the nineteenth-century opera. Rossini
- Donizetti and Bellini
- Opera in France
- German romantic opera
- Paris from 1830-1848. Grand Opera
- The virtuosos
- Liszt
- Chopin
- French Romanticism
- Berlioz
- Schumann and his German contemporaries. Schumann
- Mendelssohn
- Other contemporaries
- Wagner and the music drama. The Ring of Nibelung
- Tristan and Isolde
- Die Meistersinger
- Later triumphs
- Italian and French opera in the later nineteenth century. Verdi
- Italian contemporaries and followers
- French opera of the later nineteenth century
- Nationalist music. Hungary
- Bohemia
- Tomášek and Smetana
- Dvořák
- Poland
- Russia
- Glinka and Dargomïzhsky
- "The Five"
- Musorgsky [Mussorgsky]
- Rimsky-Korsakov
- Tchaikovsky
- Scandinavia
- England
- Spain
- Crosscurrents in the late century. Liszt and the "New German School"
- Brahms
- Bruckner
- Leipzig
- Paris
- The century's end in Germany and Austria.